Thursday, May 31, 2012

Stand By Me Reinforces Something Understood In Hollywood For Decades: Nostalgia Sells


Stand By Me reinforces something that has been understood in Hollywood for decades: nostalgia sells. With this film, it's "planned nostalgia," meaning that the production was designed from the beginning to encourage older audience members to look back at their youth through rose-tinted glasses. Many movies develop a strong sense of nostalgia with the passage of the years, but Stand By Me had it from the beginning, peering through the veil of time separating the '80s (when it was produced and in which the bookend segments are set) from the '50s. The narrative is driven by the same sense of fondness for bygone years that has categorized the likes of A Christmas Storyand the TV series The Wonder Years, both of which feature adult narrators recalling key moments from their early years.

One of the most notable aspects of the character roster is the almost complete absence of females. While this is not uncommon in certain genres typically centered on male characters (war movies, for example), it is unusual for coming-of-age films, which almost always deal with sex in one form or another. However, by placing the protagonists at the age of 12, Stand By Me is able to insulate them from involvement with the opposite sex. During the era in which the film is set, children weren't as sexually precocious and adventuresome as they are today and, while there was certainly plenty of curiosity at age 12, co-ed friendships were more the exception than the norm. The obvious added benefit of keeping the cast male is that it allows the story to focus on the pre-teen aspects of male bonding. By limiting any sexual component, Stand By Me retains a certain air of innocence and charm.

For the leads, the filmmakers selected four of the most promising young actors on the horizon of American cinema. At the time, Wil Wheaton had only a small list of credits on his resume (mostly small parts and TV appearances), and Stand By Mewould represent his breakthrough part. As was true for the slightly better-known River Phoenix, Wheaton's exceptional, unforced work in the film would open Hollywood to him. Within a year after Stand By Me's release, Wheaton was cast as the much-maligned Wesley Crusher in the TV series Star Trek: The Next Generation(although a lion's share of the derision heaped upon that character was the fault of poor writing, not of Wheaton's ability to inhabit the character). Phoenix appeared on the road to superstardom until his untimely 1993 death cut short his career. The movie's other two leads would have successful but more low-key careers. Corey Feldman, already recognizable at the time of Stand By Me's release as a result of parts in Gremlins and Goonies, worked frequently (mostly in low prestige productions) but battled drug addiction for many of his teenage and early adult years. Jerry O'Connell, who made his feature debut in Stand By Me, went on to work primarily in TV with occasional forays into low-profile films.

The tale itself, adapted from a Stephen King story, dwells on the mates' quest to find the body of a schoolboy supposedly struck down by a train while walking in the woods. They set off hoping to find fame, but then start to reveal their own personal secrets and the journey becomes as emotional as it is physical.

It's hard to tell if the four young actors are all geniuses or just perfectly cast, but the performances are never short of real, and if some of the key scenes don't have you choking back tears, you are without a soul.

The movie accurately depicts the painful process of maturation that has plagued both teens and preteens for ages. In many ways, the conclusion of the quest signifies the end of innocence (or at least childhood) for the principles, as the four boys are never quite the same after making their gruesome discovery.

The film's brilliance ultimately lies in its all-embracing adherence to the immutable rules of reality.Stand by Me goes to considerable lengths to identify the issues and accurately portray the pressures that lead to the disenchantment of teens everywhere. The boys' unyielding sense of camaraderie and irrepressible spirit of youth sees them through towering adversity that is ultimately admired, and at the same time abhorred.

Although there is an absence of Christian themes it takes nothing away from the entertainment value of the film. In short, it is a film about friends and how we should cherish them. The film is full of moving performances by talented young actors and a really great score and soundtrack. I would suggest the film for any adult who is nostalgic for childhood memories and enjoys a tender look at growing up. If one wants to view the film in the presence of younger viewers, I would suggest presenting a taped copy off television, where it is heavily edited and doesn’t really damage the movie’s effectiveness. “Stand By Me” is an unforgettable film and I recommend it, sincerely!

No comments:

Post a Comment